Pandemonium: a place or scene of riotous uproar or utter chaos. Bedlam. Turmoil. Babel. The capital of Hell.
I saw a cave, I saw two men, and I began to write, and I called this piece, “Dragon City.” I let it take me where it wanted to go. Crispen had heard the rumors, but until this moment, he hadn’t believed they were real.
One sentence leads to another, one thought follows, and barrels into the next. The man glared at him steadily until Crispen was certain he could see flames in both his eyes. He reared back, landing against the wall.
And suddenly a premise materializes: It was the animals who ran the asylum and the humans who served. But tied into that premise is the next: that humans are sometimes the savages, the predators. And thus the crazy world of Pandemonia began to morph.
“You have no life anymore. You belong to me now…”
“Forfeit,” Crispen said.
“For as long as I want it. Isn’t that the law in Dragon City?”
And so it began, the morphing of a world, the shaping, the creation, the defining of character.
Pandemonia is a dangerous future, where earth is now made up of prison colonies and societies are not what they once were. Pandemonia is controlled by a conglomerate of scientists called the Nucleate. And mutants, such as Drayce, one of the gen species they gleefully, maniacally create, have been incarcerated in Pandemonia when the end of the most recent intergalactic war ended their usefulness to the interglobal councils.
Societies and civilizations turned and twisted, no longer recognizable, laws of humanity mutilated by needs, instinct, and the powers of the Nucleate. This is the world of Pandemonia, a future world gone reimagined darkly.
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